UtahViolaSociety

Utah Symphony Principal Violist Brant Bayless will perform two works by Matthias Pintscher this Sunday for Utah Viola Society’s Spring Recital. He will be joined by Utah Symphony Principal Cellist Rainer Eudeikis for Janusgesicht, for Viola and Cello, and will play the Solo Viola work In Nomine. (If you attended last weekend’s NOVA Chamber Music Series concert, this will be your second opportunity to hear these works! You can read the program notes here.)

In Brant’s words:

The first piece is a duo with Utah Symphony Principal Cello Rainer Eudeikis. Called “Janusgesicht” (The Face of Janus), it deals with the “duality of a single person.” From the introductory poem by Pintscher:

“One body, one head, -but two faces, two voices, two directions.
Two voices delicately floating in one sound.
One voice penetrates the other, looking for merger with itself.
Sounds on the edge of silence.”

The two performers sit back to back, an allusion to the Roman god in profile.

In nomine, for unaccompanied viola, is part of a large group of chamber works by many composers inspired by an English plainchant melody. I briefly considered singing (!) that melody before performing Matthias’s piece, but aside from a tinge of sadistic joy inflicting that on an audience, there’s not much to be found in the back to back comparison. “In nomine” develops flights of fancy and melismatic passage work that, like the plainchant melody, almost always departs and returns to the note D.

Both of these pieces call for the viola to play with an alternate tuning. In the duo, the lowest string is simply altered down a half-step to B. “In nomine” features a much more radical scordatura: A-D-Eb-G. Special thanks to Brad Ottesen for the use of his wonderful Moes and Moes viola. Being able to use a separate viola for the solo piece allows for quicker and more convenient transitions than retuning one instrument. And, by the way, if you like Brad’s radically re-tuned viola, it is for sale!

Sunday, March 6, 3pm, Dumke Recital Hall, University of Utah.

Carl Johansen: Motorcyclist. Violist. Carl will be performing the Schumann Marchenbilder with pianist Ning Lu this Sunday as part of Utah Viola Society’s Spring Recital.

Sometimes at night after a concert when I’m driving home I hear a noise behind me. I look in my rear view mirror just in time to see a motorcycle speeding up behind my car. It passes me, speeding away into the night. I notice a stripey viola case on the driver’s back.

IT’S CARL!

(Carl, slow down and be safe!)

On Sunday, come see Carl take us on a ride through Schumann’s Fairy Tales.

Sunday, March 6, 3pm, Dumke Recital Hall, University of Utah.

 

This Sunday Dr. Claudine Bigelow will be performing the First Madrigal for Violin and Viola by Bohuslav Martinu, with her BYU colleague Associate Professor Monte Belknap. Dr. Bigelow says that she loves working with Monte Belknap because she always learns from his strengths, particularly his bow arm! “The rhythmic play in the Martinu is challenging, jazzy, and fun.  It’s a piece that requires technical brilliance, is bright and energetic.” ~Claudine Bigelow

 

Claudine is a beautiful knitter and quilter, and writes a blog called Musical Stitch. She’s so crazy for her King Cavalier Spaniel, Jack, that she knit him a cable sweater!

Claudine says that she can’t pick a favorite violist (too many good ones to choose from!) but that two of our very own UVS members always inspire her: Brant Bayless, who has played as good a recital as she’s heard anywhere, and Carl Johansen who has played so many memorable performances on our Utah Viola Society recitals. (Both Brant and Carl will be performing Sunday! You can hear the inspired and the inspirers!)

Come be inspired with us on Sunday, March 6, 3pm, Dumke Recital Hall, University of Utah.

 

Everyone in Utah is probably quite familiar with Brad in his role as Fry Street Quartet violist, and from his Utah Viola Society Presidential duties, but maybe there’s something you didn’t know about Brad…

Meet Rose!

Rose is a Desert Tortoise, adopted by Brad and his wife Denise, both of whom are animal lovers and have adopted several cats and a dog named Wolfie. Brad says that Rose “is listed as “threatened” under the Endangered Species Act due to habitat loss. During the warm season she lives in our yard, but right now she is hibernating and should be waking up any time!  I love my tortoise, and I’m sure there is a viola joke here somewhere.”

When Brad and Denise aren’t rescuing beautiful Tortoises they enjoy going for long hikes, and road trips in the west.

This Sunday, come hear Brad perform Bach’s Gamba Sonata #1 with pianist Jessica Roderer. “I love the counterpoint of the Gamba Sonatas.  The writing consists of 3 distinct and equal voices – the right and left hands of the keyboard and the viola, and it is a challenge to hold all 3 voices in your ear at once.  The piece seems to change each time according to shifting sands of your attention, and this keeps it feeling free, almost like improvisation.” ~Brad Ottesen

Sunday, March 6, 3pm, Dumke Recital Hall, University Of Utah.

 

The newest member of the Utah Symphony’s viola section is Elizabeth Beilman. Elizabeth joined the Utah Symphony in September, having previously served as Principal Viola in Sarasota Orchestra. She is a newlywed, married to clarinetist Joe Morris, and they enjoy playing chamber music together.

Elizabeth says that she is currently obsessed with Baroque music and is learning to play the Baroque recorder, much to the delight of her neighbors. When she’s not practicing viola or Baroque recorder, Elizabeth enjoys cooking, and hiking Utah’s many beautiful trails.

On Sunday’s recital, Elizabeth will be performing Wild Purple by Joan Tower, which was written for Paul Neubauer and premiered in 1998.

“I always thought of the viola sound as being the color purple. Its deep resonant and luscious timbre seems to embody all kinds of hues of purple. I never thought of the viola as being particularly wild. So I decided to try and see if I could create a piece that had wild energy in it and meet the challenge of creating a virtuosic piece for solo viola.” ~ Joan Tower

Elizabeth says, “I love “Wild Purple” because it gives me the chance to go completely crazy in my playing, which is something violists rarely have the opportunity to do!”

Come hear Elizabeth go completely crazy on Sunday, March 6, as she makes her Utah Viola Society debut!

Sunday, March 6, 3pm, Dumke Recital Hall, University of Utah.

 

Meet Megan Mason, Violist, AND Composer!

On Sunday, March 6, as part of the Utah Viola Society’s Spring Viola Recital, Megan will be performing her original Sonata for Solo Viola entitled “Delayed.”

In Megan’s words:

The solo viola sonata is called “Delayed,” and I’ll be playing the 3rd movement (Fog) and 4th movement (Following Carlow).

The suite is about some of the craziest airport delays/cancellations/layovers I’ve had in my touring career (something I think everyone can relate  to!) I first wrote the fourth movement while lying across Dublin airport chairs, trying to rearrange travel in three languages and get the Irish folk tune “Follow Me Down to Carlow” out of my head. I gave up trying to sleep and instead wrote a character piece, which I’ve recently been expanding into a full suite.

The two movements are quite contrasting. “Fog” has some Hindemith-like elements and describes the very haunting experience of being fogged in at the Baltimore Airport for 24 hours, the day after the horrific Newtown shootings. “Following Carlow” is, by contrast, upbeat and tonal, with a hint of obsession and some ridiculous airport noises thrown in for good measure.

While I have performed “Following Carlow” a few times, “Fog” is brand new, and this will be its premier.

Come hear Megan’s new piece at the Utah Viola Society Recital on Sunday, March 6, 3pm at Dumke Recital Hall, University of Utah!

 

Featuring works by Martinu, Bach, Mason, Tower, Pintscher, Schumann, Wreede.

Performed by Bigelow, Ottesen, Mason, Beilman, Bayless, Johansen, Zalkind and Edwards.